Kathryn Williams is a versatile flute soloist and orchestral player based in the North West of England.
Her work focuses on making tangible connections between instrument and body, interrogating ideas around accessibility and physical limitation. Her project, Coming Up for Air, centres around creatively overcoming her experiences of chronic respiratory conditions through commissioning over 100 pieces limited to a single breath. Coming Up for Air has been presented as a solo performance internationally, including at the Purcell Room (Southbank Centre), Café OTO, Constellation (Chicago), Bendigo's Ulumbarra Theatre (Australia), Kettle's Yard (Cambridge), and Royaumont Abbey (France). It has also been released as a solo album on Huddersfield Contemporary Records in association with NMC.
Kathryn is an active orchestral freelance player, stepping in to play with orchestras across the UK such as Opera North, Hallé Orchestra, Royal Liverpool Philharmonic Orchestra, Manchester Camerata, and Royal Philharmonic Orchestra. She is a core member of contemporary music ensemble, The House of Bedlam, whose most recent album, Enclosure, was released on the NMC label. Kathryn appears recordings released on All That Dust (Aldo Clementi), Another Timbre (including Ryoko Akama, Tim Parkinson, Allison Cameron, John Cage), RVNG International (Oliver Coates), and NMC (House of Bedlam).
Click here for a full biography.
Kathryn is an active orchestral freelance player, stepping in to play with orchestras across the UK such as Opera North, Hallé Orchestra, Royal Liverpool Philharmonic Orchestra, Manchester Camerata, and Royal Philharmonic Orchestra. She is a core member of contemporary music ensemble, The House of Bedlam, whose most recent album, Enclosure, was released on the NMC label. Kathryn appears recordings released on All That Dust (Aldo Clementi), Another Timbre (including Ryoko Akama, Tim Parkinson, Allison Cameron, John Cage), RVNG International (Oliver Coates), and NMC (House of Bedlam).
Click here for a full biography.
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